Ghanaian Drumming Instructor iEAR. An outstanding and widely respected traditional drumming master from Ghana, and founder and leader of ODADAA!
M.F.A., Boston University, Associate Professor of Painting & Drawing iEAR. Painting, Drawing, Design, History of Art.email@example.com
B.A. Columbia University, iEAR. Outstanding chronicler of the history of jazz, primarily through the production of numerous video tapes on the subject.
D.Phil., Oxford University, LL&C Literature and science; literary theory; feminist literary criticism; Utopian literature; modern British literature. firstname.lastname@example.org
Ph.D., New York University, LL&C Literature and science/psychology; literary theory; mental image processing; theory of photography; contemporary literature and art.
Ph.D., Carnegie Mellon University, LL&C Reading and writing in the disciplines and professions; academic literacy; language and design; teamwork and collaborative design.
B.S.,The Juilliard School of Music; M.M., Yale University, iEAR Instrumental Music. Teaches and performs cello, composes, and conducts orchestras.
Ph.D., University of California at Berkeley, LL&C Sociolinguistics; anthropology of religion; ethnographic methods; popular/public culture; Polynesia and U.S.
Ph.D., Rensselaer, LL&C. Usability; hypertext; multimedia; virtual reality; user documentation.
Ph.D., Rensselaer, LL&C. Visual rhetoric; rhetorical theory and criticism; history of the rhetorical tradition, especially in the U.S.; representations of "nature" in American rhetoric, literature, and art.
Ph.D., Bowling Green University, LL&C. Communication theory; organizational communication; computer-mediated communication and scholarship. email@example.com
M.F.A., Rensselaer, iEAR, Lecturer in Media Arts. Integrated Media Performance; Electronic Music Composition; Video Production; WWW design and development; Interactive Arts Programming; Electronic Arts Pedagogy Studies. firstname.lastname@example.org Sharp Lads Studios + Falling Anvil Studios + WeaselVision, Cyber Arts, HomeGame.
M.F.A., State University of New York at Albany, iEAR. Acting Arts Department Chair Sculpture; Studio Arts. email@example.com
M.F.A., School of the Art Institute of Chicago, Assistant Professor, Digital Imaging iEAR. Photography; graphic design; computer art; computer animation; video/CD production. Silicon Graphics workstations, animation, 3D rendering. firstname.lastname@example.org
Ph.D., University of Wisconsin, LL&C. Research design and methodology; online and printed information; multimedia tutorials, interfaces for computer devices, and instructional techniques in computer, sports, and the arts.
Ph.D., Rensselaer, LL&C. Rhetorical invention; teaching writing in all disciplines; social aspects of rhetoric and composition; invention and intellectual property.
M.F.A., New York University, iEAR Associate Professor of Video. Video art and independent production; media analysis; Community art and media activism; CD-ROM development. email@example.com
Ph.D., Rutgers Unversity, LL&C. Literary theory; modern and contemporary American literature; American cultural studies; creative writing; film theory; film studies. firstname.lastname@example.org
Ph.D., University of Michigan, LL&C. Composition theory and research; writing in nonacademic settings; rethinking literacy; education reform.
Ph.D., State University of New York at Buffalo, LL&C. Artificial intelligence and story generation; multi-media; contemporary fiction; creative writing. email@example.com
Ph.D., University of California at Berkeley, iEAR. Professor of Music. Music composition; computer music composition and performance. HomeGame. firstname.lastname@example.org
Ph.D., Northern Illinois University, LL&C. Communication research; visual and verbal literacy; impact of new technologies on the communication process.
Visual design theory and practice, computer-generated imagery and graphics; computer animation and hypermedia; user interface design for hypermedia programs.
Ph.D., Bowling Green University, LL&C. Interpersonal communication; communication and social history; research methodology; group communication.
Ph.D., University of Wisconsin, LL&C. 18th-20th Century German cultural studies; aesthetic and literary theory; interrelation of literature and historiography; multiculturalism in the curriculum; computer-based language instruction.
Ph.D., University of Iowa, LL&C. Writing process in industry; teaching of technical communication; history of English studies; history of rhetoric; rhetoric bibliography.
Ph.D., University of Missouri, LL&C. Rhetoric and culture; rhetoric of science and technology; rhetoric in MUD's/MOO's; technical communication. email@example.com
For more information contact call (518) 276-2029 or email: firstname.lastname@example.org